Those who couldn't make it, missed out on the performance of a true virtuoso. Mr Downs interpretation of Chopin's famous «Nocturne in C minor, Op. 48, N.º 1» should have been recorded for posterity, for it had all the dramatic poetry that this piece epitomises without any of the exaggerations some modern recordings tend to have.
Another piece that stood out to me was Mr Downs' own composition, Tidal Bell. It's quite apparent that Mr Downs is a great pianist, but he might be an even better composer: his original piece had the forceful, passionate impact of any good mature composition, and sounded like it did belong amongst pieces by Chopin or Chaminade.
I listened closely to Mr Downs' introductions, and I couldn't help but think about how many musicians, when describing the pieces they are about to execute, recur to vivid and descriptive imagery. I might have aphantasia, but I can't help but wonder if everyone else is also transported to places by the music, because I never perceive places by compositions, but rather interpret the musical pieces in terms of dialogues– though I fear I might be in the minority, and that in most music does evoque a rather complex scenery.
Whatever it is, at the end of the day what (hopefully) matters is the enjoyment of the moment. See you next Wednesday to enjoy more of Chetham's finest.