Rachel Fillhart & John Gough at Christ Church

Rachel Fillhart, clarinet, and John Gough, piano, played today at Christ Church to an audience of more than a hundred attendees; their programme included adaptations from composers like Robert Schumann, Maurice Ravel and Joseph Horovitz and highlighted the melodic inventiveness and emotional depths of periods ranging from the romantic to the neo-classical.

Both of these musicians visited Christ Church last year: Ms Fillhart came in April with the Manchester Reed Trio, and Mr Gough came last July, when he shared a piano with Tom Kimmance; then, we celebrated Mr Gough's lighthearted approach to what sometimes are unnecessarily solemn affairs– and today, too, his charismatic personality shone through, matched only by his virtuosismo.

Ms Fillhart has a very perceptive musical empathy from which the core of a varied range of emotions is conveyed; what I mean is that she's quite transparent with her instrument, which allows the latent emotional aspect of each piece to be showcased; the pieces I enjoyed the most today, Ravel's short «Pièce en forme de Habanera» and Paul Reade's «Prelude from ‘Victorian Kitchen Garden’ Suite» were, I believe, great examples of compositions delivered in an emotional-evoquing way.

I'm already looking forward to the bow brigade that is Sarah Marks' Southport Strings Ensemble, and I do recommend showing-up a tad early next Wednesday as I foresee St Valentine's concert to be quite well-attended.

Original-date: 8 Feb 2025