It surely speaks well of society as a whole that the positive end of this balanced creation myth received the most votes; while only it is the winner, the work truly benefits from being appreciated as part of its whole, and so we shall consider it– even though this bends the rules of comparativim. After all, if anything, size does matter, and in its complete glory this piece really does call out to the viewer, as it dominates the room wherein it sits.
Equally fierce, two similar-looking feminine forces spit out vines: green on the light-blue, watery, creation-themed side of the triptych, but burnt on the fire-y destructive-themed. This right side has crows, the left side has an assortment of smaller, more colourful birds, all which hint at the actual avian struggle in the central (and my favourite) piece, where two great egrets battle it out: this middle piece is where the balancing of colours meet, too, heightening the sensation of conflict.
